July 6, 2022

Brett Campbell’s superpower as a singer is his vulnerability. That’s not typical in metallic, the place vocalists are inclined to undertaking both awe-inspiring energy or violent aggression; excessive drama or arcane evil. There are moments on Pallbearer’s debut album, Sorrow And Extinction, the place it sounds prefer it’s taking each ounce of his nerve to get by means of his traces. “Misplaced inside the shade, I name out for a serving to hand,” he warbles on the finish of “Foreigner,” his voice sharpening because it ascends to know a pleading excessive notice. In his Pitchfork evaluate of Sorrow And Extinction, Brandon Stosuy described Campbell as “a younger Ozzy [with] the power to rework into Geddy Lee,” which might be much more apt if I ever thought Ozzy or Geddy would possibly begin crying throughout a take. His vulnerability is an invite. Sorrow And Extinction might sound forbidding at first, with its esoteric cowl artwork, crushing doom riffs, and monumental music lengths. Campbell’s voice wedges the album open, exposing its beating coronary heart.

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